"In the visual arts, color theory is the body of practical guidance for color mixing and the visual effects of a specific color combination."
An introduction to color theory and its applications in textile art, including color selection, blending, contrast, and harmony.
Color Wheel: A visual tool that organizes colors into a circular format, usually in primary, secondary, and tertiary colors.
Color Harmony: The relationship between colors to create a pleasing composition.
Hue: The specific color of an object, such as red, blue, or green.
Value: The lightness or darkness of a color, ranging from white to black.
Saturation: The intensity or purity of a color, from muted to vivid.
Tint: A color mixed with white to create a lighter version of the original hue.
Shade: A color mixed with black to create a darker version of the original hue.
Tone: A color mixed with grey to create a muted or desaturated version of the original hue.
Warm Colors: Colors that are perceived as warm or hot, such as red, orange, and yellow.
Cool Colors: Colors that are perceived as cool or cold, such as blue, green, and purple.
Complementary Colors: Colors that are opposite each other on the color wheel, such as red and green, blue and orange, or yellow and purple.
Analogous Colors: Colors that are adjacent to each other on the color wheel, such as blue, green, and yellow-green.
Split Complementary Colors: A color and the two adjacent colors to its complement, such as red, blue-green, and yellow-green.
Triadic Colors: Colors that are evenly spaced on the color wheel, such as red, blue, and yellow.
Monochromatic Colors: Different shades, tints, and tones of a single color.
Color Temperature: The warmth or coolness of a color, which can affect the mood or feeling of a piece.
Color Contrast: The use of colors to create visual interest and emphasis, such as light and dark contrast, warm and cool contrast, or complementary color contrast.
Color Psychology: The study of how colors affect emotions, behaviors, and moods.
Color Schemes: Different ways of combining colors to create a specific palette, such as a triadic color scheme, complementary color scheme, or monochromatic color scheme.
Color Mixing: The process of creating new colors by mixing two or more colors together, such as red and yellow to create orange.
The Color Wheel Theory: This theory categorizes colors by the primary, secondary and tertiary hues of the color wheel. By understanding the relationship between these hues, textile artists can create harmonious color schemes.
The RGB Theory: RGB theory deals with the colors that appear on screens and digital displays. Red, green and blue are the primary colors used in this theory, and by manipulating them, a range of colors can be created.
The CMYK Theory: This theory is similar to the RGB theory, but it is used in printing. Cyan, magenta, yellow and black are the primary colors used in this theory.
Warm and Cool Colors Theory: This theory categorizes colors as either "warm" or "cool." Warm colors are reds, oranges and yellows, while cool colors are blues, greens and purples. Textile artists often use this theory to create atmosphere or mood in their pieces.
Complementary Colors Theory: Complementary colors are opposite each other on the color wheel. When used together, they create a contrast that can be effective in textile art.
Analogous Colors Theory: Analogous colors are those that are next to each other on the color wheel. These colors can help create a harmonious or calming effect in textile art.
Monochromatic Colors Theory: This theory uses different shades and tints of the same color to create a simple yet impactful color scheme.
Split Complementary Colors Theory: This theory uses a color and the two colors that are adjacent to its complement on the color wheel. This can create a balanced yet interesting color scheme.
Tetradic Colors Theory: This theory uses four colors, which are two sets of complementary colors. This can create a dynamic and energetic color scheme.
Triadic Colors Theory: Triadic colors are those that are evenly spaced on the color wheel. When used together, they can create a vibrant and dynamic color scheme.
Pastel Colors Theory: Pastel colors are light and muted hues that can create a soft and delicate effect in textile art.
High Contrast Colors Theory: This theory uses colors that are very different in hue, value and saturation to create a bold and striking contrast in textile art.
"Color terminology based on the color wheel and its geometry separates colors into primary color, secondary color, and tertiary color."
"The understanding of color theory dates to antiquity."
"Aristotle (d. 322 BCE) and Claudius Ptolemy (d. 168 CE) already discussed which and how colors can be produced by mixing other colors."
"The influence of light on color was investigated and revealed further by al-Kindi (d. 873) and Ibn al-Haytham (d.1039)."
"Ibn Sina (d. 1037), Nasir al-Din al-Tusi (d. 1274), and Robert Grosseteste (d. 1253) discovered that contrary to the teachings of Aristotle, there are multiple color paths to get from black to white."
"More modern approaches to color theory principles can be found in the writings of Leone Battista Alberti (c. 1435) and the notebooks of Leonardo da Vinci (c. 1490)."
"A formalization of 'color theory' began in the 18th century."
"Initially within a partisan controversy over Isaac Newton's theory of color (Opticks, 1704) and the nature of primary colors."
"It developed as an independent artistic tradition with only superficial reference to colorimetry and vision science."
"Color theory is the body of practical guidance for color mixing and the visual effects of a specific color combination."
"Color terminology based on the color wheel and its geometry separates colors into primary color, secondary color, and tertiary color."
"The understanding of color theory dates to antiquity."
"Aristotle (d. 322 BCE) and Claudius Ptolemy (d. 168 CE) already discussed which and how colors can be produced by mixing other colors."
"The influence of light on color was investigated and revealed further by al-Kindi (d. 873) and Ibn al-Haytham (d.1039)."
"Ibn Sina (d. 1037), Nasir al-Din al-Tusi (d. 1274), and Robert Grosseteste (d. 1253) discovered that contrary to the teachings of Aristotle, there are multiple color paths to get from black to white."
"More modern approaches to color theory principles can be found in the writings of Leone Battista Alberti (c. 1435) and the notebooks of Leonardo da Vinci (c. 1490)."
"A formalization of 'color theory' began in the 18th century."
"Initially within a partisan controversy over Isaac Newton's theory of color (Opticks, 1704) and the nature of primary colors."
"It developed as an independent artistic tradition with only superficial reference to colorimetry and vision science."