"Experimental theatre began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays..."
This subfield involves the creation of performances that are unconventional in terms of structure, content or techniques used.
History of Experimental Theatre: This topic involves studying the evolution, growth, and development of experimental theatre from its origin to the contemporary period.
Physical Theatre: This topic involves the use of the body as a tool for performance, creating and communicating meaning through movement and other physical means.
Postmodernism: This topic explores the philosophical, cultural, and artistic movement that emerged in the 20th century, emphasizing the rejection of the grand narratives and embracing fragmentation, diversity, and intertextuality.
Performance Art: This topic involves exploring the art form that combines visual arts and performance, blurring the boundaries between the two.
Avant-Garde theatre: This topic deals with experimental forms of theatre that challenge traditional notions of storytelling, characters, and narrative structure.
Dadaism: This topic focuses on the early 20th-century movement, which rejected rationality and embraced nonsense, irrationality, and provocation, influencing the development of performance art and experimental theatre.
Absurdism: This topic explores the philosophy and literary movement that emphasizes the meaningless and arbitrary nature of human existence, often used as a device in experimental theatre.
Site-Specific Theatre: This topic explores the performance approach that involves creating theatrical pieces that can only be performed in specific locations, such as abandoned buildings, public spaces, or specific historical places.
Contemporary Performance: This topic covers a wide range of contemporary performance practices, such as immersive theatre, theatre of the oppressed, interactive theatre, and digital theatre.
Political Theatre: This topic focuses on theatre that deals with social, political, and economic issues, aiming to raise awareness, provoke discussion, and mobilize action among audiences.
Physical theatre: This type of theatre relies heavily on the body language, movement, and gestures of the actors or performers to convey a message or tell a story. It can include dance, yoga, acrobatics, and other forms of physical expression.
Devised theatre: Devised theatre is a collaborative form of theatre that involves a group of actors or performers working together to create a new performance. This type of theatre often relies on improvisation and experimentation.
Environmental theatre: Environmental theatre takes place in unconventional spaces such as streets, parks, or public places. It often involves interaction with the audience and blurs the line between the stage and the real world.
Multimedia theatre: This type of theatre involves the use of multimedia elements such as videos, images, and sound effects to create a multi-layered performance.
Interactive theatre: Interactive theatre involves the audience in the performance, often breaking the fourth wall and giving them an active role in the development of the story.
Puppetry theatre: Puppetry theatre relies on puppets and masks to tell a story. It can be performed with traditional hand puppets, shadow puppets, marionettes, or other types of puppets.
Political theatre: Political theatre uses its stage to address social and political issues. It can be provocative, controversial, and aims to create social change.
Avant-garde theatre: Avant-garde theatre is experimental theatre that breaks free from traditional narrative structures, forms, and conventions. It often aims to push the boundaries of what is considered theatre.
Visual theatre: Visual theatre relies on visual elements such as sculptures, paintings, or installations to create a performance. The performers and actors may not even have any dialogue, and the story is told entirely through images.
Absurdist theatre: Absurdist theatre is a type of theatre that uses nonsensical or irrational elements to create a surreal and humorous performance. It often portrays the world as meaningless and absurd.
"Experimental theatre (also known as avant-garde theatre)..."
"Experimental theatre...was inspired largely by Wagner's concept of Gesamtkunstwerk..."
"Experimental theatre...began as a rejection of both the age in particular and, in general, the dominant ways of writing and producing plays."
"The term [experimental theatre] has shifted over time as the mainstream theatre world has adopted many forms that were once considered radical."
"Like other forms of the avant-garde, it was created as a response to a perceived general cultural crisis."
"Despite different political and formal approaches, all avant-garde theatre opposes bourgeois theatre."
"It tries to introduce a different use of language and the body to change the mode of perception..."
"...to create a new, more active relation with the audience."
"Alfred Jarry and his Ubu plays..."
"Experimental theatre began in Western theatre in the late 19th century..."
"Wagner's concept of Gesamtkunstwerk..."
"All avant-garde theatre opposes bourgeois theatre."
"...to introduce a different use of language..."
"...to change the mode of perception..."
"The term [experimental theatre] has shifted over time..."
"It was created as a response to a perceived general cultural crisis."
"The term has shifted over time..."
"It tries to introduce a different use of language and the body..."
"...to create a new, more active relation with the audience."