Quote: "Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found."
Creating improvised scenes using different scenarios, characterizations and relationships with other actors. This topic also includes tips for establishing a unique world for the scene.
Yes, and: The basic principle of improvisational theater that suggests accepting and building upon the ideas presented by your partner.
Active Listening: The ability to fully engage and effectively process the information presented by your scene partner.
Supporting and Heightening: The technique of enhancing the ideas and the story being told by your partner in a scene.
Emotion Work: The ability to portray and express genuine emotions in a scene for better audience connect.
Status Work: The understanding and skill to communicate a character's social standing with physical, vocal, and verbal cues.
Physicality: Nonverbal communication, posture, and movement that are added to enhance the scene reality.
Characters: Creating believable characters with a unique point of view, history, and personality.
Relationships: The style of the scene that primarily concerns the connection between characters.
Object work: A technique of creating a strong focus on the stage with an imaginary object to better convey the story.
Environment Work: The ability to create a realistic and engaging setting to support the scene.
Game Theory: Understanding and unfolding the comedic scene patterns by discovering the unusual or unexpected element.
Scene Work Structures: The different formats and structures that improv scenes follow, like long-form, short-form, and montage.
Group Dynamics: The ability to work effectively with others in the ensemble and playing to the top of your intelligence.
Storytelling: The ability to tell engaging stories that take the audience on an emotional journey.
Scene Improvisation: The understanding of the basic principles of improvisation, leading to spontaneity and creative performance.
Short-form: This is the most common type of improvisational theatre, and typically consists of a series of short, comedic scenes that are inspired by audience suggestions.
Long-form: Long-form improv involves a single, extended scene or story that unfolds over the course of several minutes or even hours. The performers use a variety of techniques to generate and sustain momentum, and often create complex characters and relationships.
Harold: A classic long-form structure created by improvisational comedy group The Upright Citizens Brigade. It involves a series of interconnected scenes that build off of one another and ultimately come together to form a coherent storyline.
Mime: Mime is a type of scene work in which performers use gestures, facial expressions, and body movements to convey a story or idea without words. It requires a high degree of physical skill and creativity.
Musical Improv: A form of improvised theatre in which performers use songs and musical numbers to advance the story and develop characters. It requires a strong sense of rhythm, melody, and harmony.
Chorus Work: In a chorus work scene, performers work together to create a cohesive, improvised ensemble piece. They use strong physicality and group dynamics to explore themes and ideas.
Storytelling: Storytelling scenes focus on developing rich, complex narratives that are engaging and emotionally resonant. Performers use techniques like character development, world-building, and plot twists to keep the audience invested.
Genre Work: Some improvisational groups specialize in specific genres of scene work, such as sci-fi, horror, or romance. These scenes often involve genre-specific tropes and archetypes, and require performers to be familiar with the conventions of the genre.
Object Work: Object work scenes focus on the use of physical props and objects to tell a story. This type of scene work requires a high degree of improvisational skill, as performers must be able to use any object they are given in creative ways.
One-Word Scenes: This is a type of scene work in which performers take a single word or phrase as inspiration and develop a scene around it. It requires performers to be creative, quick-thinking, and able to work collaboratively.
Quote: "Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation."
Quote: "The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines."
Quote: "Applied improvisation."
Quote: "Improvisation also exists outside the arts."
Quote: "Improvisation in engineering is to solve a problem with the tools and materials immediately at hand."
Quote: "Improvised weapons are often used by guerrillas, insurgents, and criminals."
Quote: "The activity of making or doing something not planned beforehand."
Quote: "Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation."
Quote: "The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines."
Quote: N/A (More context or explanations needed)
Quote: "To solve a problem with the tools and materials immediately at hand."
Quote: "Guerrillas, insurgents, and criminals."
Quote: "Improvisation, often shortened to improv..."
Quote: "The activity of making or doing something not planned beforehand."
Quote: "The skills of improvisation can apply [...] across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines."
Quote: "A very spontaneous performance without specific or scripted preparation."
Quote: "The skills of improvisation can apply [...] across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines."
Quote: N/A (More specific examples or context needed)
Quote: "Often used by guerrillas, insurgents, and criminals."