A study of how audiences respond to films, including how films are marketed, distributed, and consumed by different groups of people.
Film History: A study of the evolution of cinema from its inception to modern times, including various genres, styles, and movements.
Film Theory: A collection of ideas and concepts that relate to the study of cinema, including authorship, ideology, representation, and spectatorship.
Aesthetics of Film: An exploration of how films convey meaning through the use of visual and audio elements such as lighting, sound, editing, and cinematography.
Film Criticism: The analysis and evaluation of films as cultural artifacts, including discussion of their artistic, historical, and social significance.
Audience Studies: An investigation of how different groups of people react to and interpret films, including considerations of race, gender, age, and socio-economic status.
Reception Theory: An approach to studying film that considers how viewers receive and interpret meaning from films, often through their own cultural and social backgrounds.
Film Industry: An examination of the business and economic aspects of filmmaking, including the production, distribution, and exhibition of films.
Global Film Cultures: A study of the diverse and complex ways in which cinema is received and interpreted in different parts of the world, including regional differences in film production, distribution, and viewing practices.
Film Festivals: An exploration of the history and significance of film festivals as a key site of film culture and reception, including analysis of the selection process and audience reactions.
Digital Film and New Media: An investigation of the impact of digital technologies on the reception and distribution of films, including discussion of streaming platforms, video on demand, and social media.
Audience Reception: This type of reception refers to how the general audience perceives a film. It focuses on understanding the reaction of the audience to the film content, performance, and reception.
Critical Reception: Critical reception concerns how film critics value and review a film. It examines the tone, criticism, and commentary that critics offer about the film, based on factors such as form, theme, style, and sociopolitical context.
Historical Reception: Historical reception explores how and why films were produced when they were, and how the political, social, economic, and cultural contexts influenced their reception in the past.
Inter-textual Reception: Inter-textual reception assesses how a film refers to and is influenced by other texts in the media, including books, pop culture, music, or literature.
Political Reception: Political reception looks at how political values, ideologies, and agendas influence the reception of certain films. This reception considers the degree to which a film can be used as a tool for political commentary and social critique.
Ethical Reception: Ethical reception considers how a film addresses and impacts the moral and ethical values of the audience.
Aesthetic Reception: Aesthetic reception studies the visual and auditory elements of the film, including form, movement, color, sound, and special effects. It explores how these elements contribute to the overall reception of a film.
Gender and Feminist Reception: Gender and feminist reception focuses on how gender norms and stereotypes are portrayed in films, and how they are received by different viewers. It looks at how film is used to represent, critique, celebrate or challenge gender.
Racial and Postcolonial Reception: Racial and postcolonial reception examines how films relate to the legacy of colonialism, race, racial identities, and cultures. It explores how racial minorities view films and the representation of their communities in movies.
Psychoanalytic Reception: Psychoanalytic reception explores the psychological and emotional aspects of the audience's reception of a film. It considers theories of the unconscious, childhood development, and sexuality, to understand how the audience responds to different films.