Study how Romantic writers glorified nature, using it as a symbol of truth, beauty, and spiritual insight.
Romanticism: A literary and intellectual movement that emerged in the 18th century Europe that stressed the importance of emotions, individualism, and the natural world.
Nature: Refers to the physical world and encompasses all living and non-living things including plants, animals, landscapes, and natural forces.
Sublime: A concept in Romantic literature that is associated with awe-inspiring, terrifying, or overwhelming experiences in nature or art.
Transcendentalism: An American literary movement in the 19th century that emphasized individualism, intuition, and spirituality.
Pantheism: A philosophical belief that everything in nature is divine and interconnected.
The picturesque: An aesthetic ideal in Romantic literature and art that emphasizes the beauty of nature, particularly in its irregular and imperfect forms.
The pastoral: A literary genre that portrays rural life, nature, and idealizes simpler, more innocent times.
The gothic: A literary genre in Romantic literature that is characterized by elements of horror, mystery, and supernatural.
Primitivism: A literary and cultural movement that glorified the virtues of primitive or pre-modern cultures and societies.
Environmentalism: A political and social movement concerned with the preservation and protection of the natural world.
The sublime in nature: A concept in Romantic literature that is associated with awe-inspiring and overwhelming experiences in nature.
Romanticism and nature poetry: A poetic form that emphasizes the beauty, grandeur, and power of the natural world.
Romantic landscape painting: An artistic genre that portrays landscapes in a way that emphasizes the power, beauty, and significance of nature.
Awe, wonder, and the sacred: Concepts that are central to Romantic literature and art and involve feelings of reverence, awe, and the recognition of the sacred in nature.
Ecocriticism: A literary and cultural criticism that focuses on the relationship between literature and the natural world.
Pantheism: This is the belief that nature is divine and that God is present in everything in the natural world.
Pastoral: This refers to the idea of an idealized countryside, often featuring shepherds, green fields, and a simpler way of life.
Sublime: This refers to the idea that nature is awe-inspiring and overwhelming, often featuring grandeur, mystery, and vastness.
Wilderness: This refers to the idea of untamed, wild spaces outside human development, often featuring a sense of isolation and the presence of dangerous animals.
Ecocriticism: This refers to the study of literature and its relationship to the environment, often focusing on the connections between humans and the natural world.
Environmentalism: This refers to the advocacy for the protection and preservation of the natural world, often featuring calls for environmental regulation and action against climate change.
Arcadia: This refers to a utopian vision of the natural world, often featuring idyllic landscapes, harmony between humans and nature, and an absence of conflict.
Romantic Irony: This refers to the use of irony and satire to critique romantic ideals, such as the notion of perfect love or an idealized nature.
Transcendentalism: This refers to a philosophical and literary movement that emphasizes the importance of intuition, self-reliance, and a connection to nature.
Regionalism: This refers to the use of specific regional details and vernacular in literature, often showcasing the beauty and uniqueness of a particular place and its people.
Gothic: This refers to a literary genre that features supernatural, eerie, and mysterious elements, often set in dark, foreboding environments.
Anthropomorphism: This refers to the attribution of human characteristics, emotions, and behaviors to non-human entities, such as animals or natural phenomena.