Covering live events

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This involves covering various forms of live events such as concerts, theater shows, etc.

Event coverage planning: An overview of how to plan and prepare to cover an event, including researching the event and venue, gathering necessary equipment, and scheduling assignments.
Interviewing techniques: The art of asking meaningful and effective questions to get the most out of interviews with event participants and attendees.
Storytelling: How to craft compelling stories that engage readers and convey the atmosphere and significance of an event.
Photography and videography: Tips and techniques for capturing high-quality images and video to accompany event coverage.
Social media and digital marketing: Strategies for promoting and sharing event coverage on social media and other digital platforms.
Ethics and professionalism: An overview of the ethical considerations involved in covering events, such as accuracy, objectivity, and respect for privacy.
Event reporting styles: An exploration of the different styles and approaches to event reporting, including news reporting, feature writing, and reviews.
News judgement: How to assess the relative importance and relevance of different aspects of an event and prioritize them in coverage.
Deadline management: Techniques for managing time and prioritizing tasks to meet tight deadlines and deliver high-quality event coverage on time.
Legal frameworks: An overview of the legal frameworks and regulations that govern event coverage, such as copyright, fair use, and defamation laws.
Reviews: Reviews are detailed accounts of an event, often written by a journalist who has attended the event. They evaluate the performance, production, and overall impact of the event.
Interviews: Interviews showcase the personalities behind live events. Interviewers delve into the performers' experiences, challenges, interests, and futures.
Features: Features provide an in-depth look into the performers, producers, or other individuals associated with the event. They help readers better understand the players involved in bringing the event to life.
Columns: Columns present a more personal view of the event. They are often written in a storytelling style and may offer opinions, criticisms, or insights.
News: News articles provide the most up-to-date information about the event. They include announcements, updates, and stories about the event as it unfolds.
Previews: Previews offer a glimpse into an event before it happens. They provide context, history, and anticipated highlights of the upcoming event.
Trend pieces: Trend pieces identify trends and fads in live entertainment. They offer analysis and insights into why certain events are popular or why certain styles or genres are trending.
Personal narratives: Personal narratives offer a unique perspective on events. They tell personal stories of attending or being part of a live event.
Photo essays: Photo essays feature photographs that tell a story of a live event, from behind-the-scenes moments to concert performances and more.
Social media coverage: Social media coverage offers a live stream of events as they happen. This type of coverage typically involves text updates, photos, and videos shared through social media platforms.
"A house show or live event is a professional wrestling event produced by a major promotion that is not televised, though they can be recorded."
"Promotions use house shows mainly to cash in on the exposure that they and their wrestlers receive during televised events, as well as to test reactions to matches, wrestlers, and gimmicks that are being considered for the main televised programming and upcoming pay-per-views."
"House shows are entire events and not the same as dark matches—untelevised matches that occur as part of an event that was already being televised."
"House shows are also often scripted to make the face wrestlers win most matches, largely to send the crowd home happy."
"If a heel defends a title, the face may win by disqualification, preventing the title from changing hands."
"Until January 11, 1993, most televised professional wrestling programs were taped weeks in advance in small studios and featured run-ins, promos, and primarily squash matches."
"...squash matches (unless it was part of an ongoing feud or a title match), which revolved around feuds between upper-level talent that were to be settled at an upcoming house show at WWF's flagship arenas of the time."
"...with the advent of weekly shows such as WWF's Monday Night Raw, and with the increase in the number of pay-per-view events held by promotions, angles are now typically developed during weekly shows."
"...resolved during the next pay-per-view (or, on occasion, a special episode of the series)."
"...to test reactions to matches, wrestlers, and gimmicks that are being considered for the main televised programming and upcoming pay-per-views."
"Promotions use house shows mainly to cash in on the exposure that they and their wrestlers receive during televised events."
"...to test reactions to matches, wrestlers, and gimmicks that are being considered for the main televised programming and upcoming pay-per-views."
"House shows are entire events and not the same as dark matches—untelevised matches that occur as part of an event that was already being televised."
"House shows are also often scripted to make the face wrestlers win most matches, largely to send the crowd home happy."
"If a heel defends a title, the face may win by disqualification, preventing the title from changing hands."
"...at WWF's flagship arenas of the time —Madison Square Garden in New York City, the Spectrum in Philadelphia, and the Boston Garden in Boston."
"...primarily squash matches (unless it was part of an ongoing feud or a title match), which revolved around feuds between upper-level talent."
"...angles are now typically developed during weekly shows."
"...resolved during the next pay-per-view (or, on occasion, a special episode of the series)."
"...most televised professional wrestling programs were taped weeks in advance in small studios."