"Reception theory is a version of reader response literary theory that emphasizes each particular reader's reception or interpretation in making meaning from a literary text."
The study of how texts are received and interpreted by different audiences and cultures. It's an interdisciplinary approach that looks at the ways that works are interpreted and how those interpretations change over time.
Reception Theory: The study of how audiences interpret and make meaning from cultural texts, including literature, art, and media.
Classical Reception Studies: The study of how classical texts and traditions have been received, interpreted, and appropriated throughout history.
Intertextuality: The relationship between different texts and how they influence each other's meaning.
Intentionality: The author's intentions and how they are perceived by the audience.
Reader-response Theory: The theory that the reader's interpretation of a text is just as valid as the author's intention.
Context: The social, cultural, and historical background that shapes the audience's interpretation of a text.
Canon: The collection of literary works that are considered the most important and influential in a particular culture or time period.
Appropriation: The process of taking elements from one text and using them in another, often to create a new meaning.
Translation: The process of rendering a text from one language to another, often involving interpretation and adaptation.
Adaptation: The process of transforming a text from one medium to another, such as from a book to a film or television show.
Iconography: The study of visual symbols and their meaning, often used in art and literature.
Mythology: The study of traditional stories and beliefs that shape a culture's identity and worldview.
Reception History: The study of how a particular work or cultural tradition has been received and interpreted throughout history.
Gender and Representation: The study of how gender is represented and constructed in cultural texts.
Postcolonialism: The study of the cultural and political legacy of colonization and decolonization, and how it affects the reception of cultural texts.
Aesthetic Reception: This type of Reception Theory focuses on the analysis of the aesthetic qualities of a work of art or literature, and how it affects the audience's perception.
Historical Reception: This type of Reception Theory studies how a work of art or literature was received at the time of its creation and subsequent reception throughout history.
Reader-Response Reception: This type of Reception Theory focuses on the role of the reader in interpreting and responding to a work of art or literature.
Feminist Reception: This type of Reception Theory studies the interpretation and reception of works of art or literature from a feminist perspective.
Marxist Reception: This type of Reception Theory studies how a work of art or literature reflects the social and economic conditions of the time of its creation and how it is perceived by the audience.
Psychoanalytic Reception: This type of Reception Theory studies how a work of art or literature reflects the psychological state of its author and how it is perceived by the audience.
Post-colonial Reception: This type of Reception Theory studies how works of art or literature from countries formerly colonized by Europe are received and interpreted in the context of post-colonialism.
Queer Reception: This type of Reception Theory studies how works of art or literature reflect and affect LGBTQ+ experiences and how they are received by the audience.
"Reception theory is generally referred to as audience reception in the analysis of communications models."
"The cultural theorist Stuart Hall was one of the main proponents of reception theory."
"His approach, called the encoding/decoding model of communication, is a form of textual analysis that focuses on the scope of 'negotiation' and 'opposition' by the audience."
"This means that a 'text'—be it a book, movie, or other creative work—is not simply passively accepted by the audience, but that the reader/viewer interprets the meanings of the text based on her or his individual cultural background and life experiences."
"Reception theory originated from the work of Hans-Robert Jauss in the late 1960s."
"The most influential work was produced during the 1970s and early 1980s in Germany and the US."
"Some notable work was done in other Western European countries."
"A form of reception theory has also been applied to the study of historiography."
"Susan Bennett is often credited with beginning this discourse."
"Hall's theory focuses on the communication processes at play in texts that are in televisual form."
"The meaning of a text is not inherent within the text itself, but is created within the relationship between the text and the reader."
"Reception theory has since been extended to the spectators of performative events, focusing predominantly on the theatre."
"Through the work of the landscape historian John Dixon Hunt, reception theory has also been applied to the history and analysis of landscapes."
"Hunt recognized that the survival of gardens and landscapes is largely related to their public reception."
"Reception theory is a version of reader response literary theory that emphasizes each particular reader's reception or interpretation in making meaning from a literary text."
"The reader/viewer interprets the meanings of the text based on her or his individual cultural background and life experiences."
"A 'text'...is not simply passively accepted by the audience, but...the reader/viewer interprets the meanings of the text."
"Reception theory is generally referred to as audience reception in the analysis of communications models."
"The survival of gardens and landscapes is largely related to their public reception."