Ethnomusicology

Home > Classics > Ancient Music > Ethnomusicology

It examines the cultural and social contexts of ancient music, including its performance, production, and reception.

Introduction to Ethnomusicology: This is the basis of the entire field and covers the scope, methods, and practices of ethnomusicologists.
Musicology vs. Ethnomusicology: This topic helps in understanding the differences and similarities between these fields.
Historical Perspective of Ethnomusicology: This encompasses the history and development of ethnomusicology and its evolution as an academic field.
Music and Culture: This topic provides insights into the role of music in various cultures around the world.
Musical Instruments and Techniques: This gives an overview of the different musical instruments, their significance, and the techniques and methods used to play them.
Music and Religion: This covers the historical and cultural relations between music and religions, including sacred music and rituals.
Fieldwork and Ethnography: This topic focuses on the methods, techniques, and practices used to conduct fieldwork and ethnography in ethnomusicology.
Oral Traditions: This deals with how cultures pass down music, arts, and other cultural artifacts via oral traditions.
Notation and Transcription: This topic covers the different musical notation systems, how they evolved and their significance.
Analyzing Music and Performance: This delves deep into the different ways to analyze music and performance, including the different tools, approaches, and theoretical frameworks.
The Anthropology of Music: This topic helps to understand the intersections between music and anthropology, including the role of music in society.
Music Industry and Globalization: This topic covers the global influence of music, including the music industry and the impact of globalization on music and culture.
Music and Identity: This looks at how music plays a role in shaping identity, both individual and collective.
Music and Politics: This topic covers the relationship between music and politics and the use of music as a tool for social activism and change.
Music Education: This looks at how music education is approached in different cultures around the world.
Historical Ethnomusicology: The study of ancient music that aims to identify the historical contexts, origins, and the development of musical traditions over time.
Comparative Ethnomusicology: The study of musical traditions around the world, seeking to identify similarities and differences in structure, instruments, and performances within and across cultures.
Applied Ethnomusicology: The application of ethnomusicology principles and practices in areas such as music therapy, music education, cultural policy-making, and social justice activism.
Cognitive Ethnomusicology: The study of how humans process and perceive music, including the cognitive and neurological processes involved in music-making and listening.
Political Ethnomusicology: The study of the ways in which music functions in political contexts, including issues such as nationalism, identity politics, and censorship.
Feminist Ethnomusicology: The study of music from a feminist perspective, analyzing the role of gender in musical expressions and structures.
Diaspora Ethnomusicology: The study of musical traditions in the contexts of migration and displacement, including analysis of how cultural identities are expressed and maintained.
Environmental Ethnomusicology: The study of musical traditions in relation to the natural environment, including analysis of connections between music, ecology, and sustainable development.
Postcolonial Ethnomusicology: The study of musical traditions in the context of colonialism and its ongoing effects, including analysis of cultural hybridity, resistance, and decolonization.
Popular Music Ethnomusicology: The study of contemporary popular music across different cultures, analyzing its production, distribution, consumption, and impact on society.
- "Ethnomusicology is the study of music from the cultural and social aspects of the people who make it."
- "It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component."
- "Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the Second World War."
- "The term ethnomusicology is said to have been coined by Jaap Kunst from the Greek words ἔθνος (ethnos, 'nation') and μουσική (mousike, 'music')."
- "During its early development from comparative musicology in the 1950s, ethnomusicology was primarily oriented toward non-Western music."
- "For several decades it has included the study of all and any musics of the world (including Western art music and popular music) from anthropological, sociological, and intercultural perspectives."
- "Bruno Nettl once characterized ethnomusicology as a product of Western thinking, proclaiming that 'ethnomusicology as Western culture knows it is actually a western phenomenon.'"
- "In 1992, Jeff Todd Titon described it as the study of 'people making music.'"
- "Within musical ethnography, it is the first-hand personal study of musicking, also known as the act of taking part in a musical performance."
- "Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the Second World War."
- "The term ethnomusicology is said to have been coined by Jaap Kunst from the Greek words ἔθνος (ethnos, 'nation') and μουσική (mousike, 'music')."
- "During its early development from comparative musicology in the 1950s, ethnomusicology was primarily oriented toward non-Western music."
- "For several decades it has included the study of all and any musics of the world (including Western art music and popular music) from anthropological, sociological, and intercultural perspectives."
- "Bruno Nettl once characterized ethnomusicology as a product of Western thinking, proclaiming that 'ethnomusicology as Western culture knows it is actually a western phenomenon.'"
- "In 1992, Jeff Todd Titon described it as the study of 'people making music.'"
- "Within musical ethnography, it is the first-hand personal study of musicking, also known as the act of taking part in a musical performance."
- "Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the Second World War."
- "The term ethnomusicology is said to have been coined by Jaap Kunst from the Greek words ἔθνος (ethnos, 'nation') and μουσική (mousike, 'music')."
- "It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior."
- "For several decades it has included the study of all and any musics of the world (including Western art music and popular music) from anthropological, sociological, and intercultural perspectives."